It's fine to celebrate success but it is more important to

“It is important to view knowledge as sort of a semantic tree -- make sure you understand the fundamental principles, ie the trunk and big branches, before you get into the leaves/details or there is nothing for them to hang on to.” ― Bill Gates

“I think it’s important to reason from first principles rather than by analogy. The normal way we conduct our lives is we reason by analogy. [With analogy] we are doing this because it’s like something else that was done, or it is like what other people are doing. [With first principles] you boil things down to the most fundamental truths…and then reason up from there.” ― Bill Gates

“Having firstrate people on the team is more important than designing hierarchies and clarifying who reports to whom” ― Bill Gates

“During the last ice age, the average temperature was just 6 degrees Celsius lower than it is today. During the age of the dinosaurs, when the average temperature was perhaps 4 degrees Celsius higher than today, there were crocodiles living above the Arctic Circle.” ― Bill Gates

“Earlier, I mentioned a related technology called direct air capture. It involves exactly what the name implies: capturing carbon directly from the air. DAC is more flexible than point capture, because you can do it anywhere. And in all likelihood, it’ll be a crucial part of getting to zero; one study by the National Academy of Sciences found that we’ll need to be removing about 10 billion tons of carbon dioxide a year by mid-century and about 20 billion by the end of the century.” ― Bill Gates

“Einstein, likewise, realized how important it is to interweave the arts and the sciences. When he felt stymied in his quest for the theory of general relativity, he would pull out his violin and play Mozart, saying that the music helped connect him to the harmony of the spheres.” ― Bill Gates

“I think it's very important to have a feedback loop, where you're constantly thinking about what you've done and how you could be doing it better.” ― Bill Gates

“It is possible for ordinary people to choose to be extraordinary.” ― Bill Gates

“I think it is possible for ordinary people to choose to be extraordinary.” ― Bill Gates

“If you buy a ticket to hell, it isn't fair to blame hell.” ― Bill Gates

“There’s class warfare, all right, but it’s my class, the rich class, that’s making war, and we’re winning.” ― Bill Gates

“It is not greed that drives the world but envy.” ― Bill Gates

“It is better to be approximately right than precisely wrong.” ― Bill Gates

“It is madness to risk losing what you need in pursuing what you simply desire.” ― Bill Gates

“Our goal is more modest: We simply attempt to be fearful when others are greedy and to be greedy only when others are fearful.” ― Bill Gates

“I like it when people say, ‘Gee, that’s a pretty good-looking painting.’ But it’s my painting, and when somebody says, ‘Why don’t you use more red instead of blue?’ Good-bye. It’s my painting. And I don’t care what they sell it for. The painting itself will never be finished. That’s one of the great things about it.” ― Bill Gates

often it is the only
thing
between you and
impossibility.
no drink,
no woman's love,
no wealth
can
match it.
nothing can save
you
except
writing.
it keeps the walls
from
failing.
the hordes from
closing in.
it blasts the
darkness.
writing is the
ultimate
psychiatrist,
the kindliest
god of all the
gods.
writing stalks
death.
it knows no
quit.
and writing
laughs
at itself,
at pain.
it is the last
expectation,
the last
explanation.
that's
what it
is.
from blank gun silencer - 1991

we like to shower afterwards
(I like the water hotter than she)
and her face is always soft and peaceful
and she'll wash me first
spread the soap over my balls
lift the balls
squeeze them,
then wash the cock:
"hey, this thing is still hard!"
then get all the hair down there,-
the belly, the back, the neck, the legs,
I grin grin grin,
and then I wash her. . .
first the cunt, I
stand behind her, my cock in the cheeks of her ass
I gently soap up the cunt hairs,
wash there with a soothing motion,
I linger perhaps longer than necessary,
then I get the backs of the legs, the ass,
the back, the neck, I turn her, kiss her,
soap up the breasts, get them and the belly, the neck,
the fronts of the legs, the ankles, the feet,
and then the cunt, once more, for luck. . .
another kiss, and she gets out first,
toweling, sometimes singing while I stay in
turn the water on hotter
feeling the good times of love's miracle
I then get out. . .
it is usually mid-afternoon and quiet,
and getting dressed we talk about what else
there might be to do,
but being together solves most of it
for as long as those things stay solved
in the history of women and
man, it's different for each-
for me, it's splendid enough to remember
past the memories of pain and defeat and unhappiness:
when you take it away
do it slowly and easily
make it as if I were dying in my sleep instead of in
my life, amen.

if it doesn't come bursting out of you
in spite of everything,
don't do it.
unless it comes unasked out of your
heart and your mind and your mouth
and your gut,
don't do it.
if you have to sit for hours
staring at your computer screen
or hunched over your
typewriter
searching for words,
don't do it.
if you're doing it for money or
fame,
don't do it.
if you're doing it because you want
women in your bed,
don't do it.
if you have to sit there and
rewrite it again and again,
don't do it.
if it's hard work just thinking about doing it,
don't do it.
if you're trying to write like somebody
else,
forget about it.
if you have to wait for it to roar out of
you,
then wait patiently.
if it never does roar out of you,
do something else.

if you first have to read it to your wife
or your girlfriend or your boyfriend
or your parents or to anybody at all,
you're not ready.

don't be like so many writers,
don't be like so many thousands of
people who call themselves writers,
don't be dull and boring and
pretentious, don't be consumed with self-
love.
the libraries of the world have
yawned themselves to
sleep
over your kind.
don't add to that.
don't do it.
unless it comes out of
your soul like a rocket,
unless being still would
drive you to madness or
suicide or murder,
don't do it.
unless the sun inside you is
burning your gut,
don't do it.

when it is truly time,
and if you have been chosen,
it will do it by
itself and it will keep on doing it
until you die or it dies in you.

there is no other way.

and there never was.

yes, they begin out in a willow, I think
the starch mountains begin out in the willow
and keep right on going without regard for
pumas and nectarines
somehow these mountains are like
an old woman with a bad memory and
a shopping basket.
we are in a basin. that is the
idea. down in the sand and the alleys,
this land punched-in, cuffed-out, divided,
held like a crucifix in a deathhand,
this land bought, resold, bought again and
sold again, the wars long over,
the Spaniards all the way back in Spain
down in the thimble again, and now
real estaters, subdividers, landlords, freeway
engineers arguing. this is their land and
I walk on it, live on it a little while
near Hollywood here I see young men in rooms
listening to glazed recordings
and I think too of old men sick of music
sick of everything, and death like suicide
I think is sometimes voluntary, and to get your
hold on the land here it is best to return to the
Grand Central Market, see the old Mexican women,
the poor . . . I am sure you have seen these same women
many years before
arguing
with the same young Japanese clerks
witty, knowledgeable and golden
among their soaring store of oranges, apples
avocados, tomatoes, cucumbers -
and you know how these look, they do look good
as if you could eat them all
light a cigar and smoke away the bad world.
then it's best to go back to the bars, the same bars
wooden, stale, merciless, green
with the young policeman walking through
scared and looking for trouble,
and the beer is still bad
it has an edge that already mixes with vomit and
decay, and you've got to be strong in the shadows
to ignore it, to ignore the poor and to ignore yourself
and the shopping bag between your legs
down there feeling good with its avocados and
oranges and fresh fish and wine bottles, who needs
a Fort Lauderdale winter?
25 years ago there used to be a whore there
with a film over one eye, who was too fat
and made little silver bells out of cigarette
tinfoil. the sun seemed warmer then
although this was probably not
true, and you take your shopping bag
outside and walk along the street
and the green beer hangs there
just above your stomach like
a short and shameful shawl, and
you look around and no longer
see any
old men.